Entertainingly Evil

“The Periscope” by Drew Williams

Speculate_blogThe train rattles around me. The sound is constant, unending. You’d think I’d be used to it by now. I’m not. I’d always found something vaguely funereal about the noise; like Jacob Marley’s chains clanking in Scrooge’s bedroom. I remember wondering if I was the last person alive who knew that story. For a moment, the thought made me feel unaccountably guilty. Mainly because I didn’t know it all that well; I might be the last person alive who knew about Scrooge’s three ghosts, but I couldn’t name his childhood sweetheart. Had she died? Was that why he was so miserable? I couldn’t remember at all.

I was the last person alive who remembered a Christmas Carol, and I was bad at it.

I should probably write it down. I did have that in my mobile prison; I had a typewriter. An old manual one with plenty of ink cartridges and plenty of paper. At first, I’d kept a diary, but there just wasn’t much to say.


Guess wildly at the date: diary entry # whatever. Today the train kept moving. I took my meals from a slot in the door again. For roughly an hour this morning—at least, shortly after I woke, which I guess qualifies it as morning—the quality of light coming through the angled window was more blue than usual, almost crepuscular. After that, it went back to being gray. During my two hours of exposure to the periscope, there was no sign of that blue light, nor of any survivors. When my time was up, I spent three hours trying to remember the name of young Ebenezer’s fiancé. Eliza? Paige? Beatrice? No, I think Beatrice is Poe. Maybe Dante.


My days were much the same, is my point. Still, that’s why I’ve started this document: not a diary, exactly, but more a… story. A chronicle, if you will. My life on the train. If we succeed and the world ever returns to normal, or at least gets a new beginning, it would be nice if someone remembered the small part I played in it all. So, where to begin?

The story of how I’d wound up in this train car, partially a prisoner, partially an honored guest, partially a kind of lab rat, was a long, involved one, and the particulars don’t really matter anymore. Not particularly, at any rate. That’s… that’s kind of a joke.

Suffice it to say the world had gone to hell, very quickly. Who was to blame? What, exactly, happened? How many had died, how quickly, in how much agony? I wasn’t sure. The first, I simply boiled down to ‘those in power,’ because even if they weren’t to blame directly, they damned sure should have stopped it. The answer to the second I shied away from even attempting to answer—if I had to refer to the terrible days before the train at all, I thought of them as ‘the coming of the plague,’ but that wasn’t what it had been, not really. The answer to the third was too big to contemplate without weeping.

How had I wound up on the train? That was a little easier. The world made people mad, you see. Just being out in it did. There’s a simple answer, or at least a simple statement. Not all people, but most people.

I wasn’t one of them, so far. Even still, my time looking out on the mad world was limited: two hours a day. No more, no less. That was my job: observation. It was also why I was locked in this train car. A kind of canary in a constantly moving coal mine.

The people in charge of the train—scientists, I think, though I’ve never met any directly—had several like me, locked in our own little cells, each with our own periscope. We took note of what we saw around the train, and if we saw anything, well, noteworthy (another joke; I’m sorry, I’m not very good at them), we typed it out and put it in a pneumatic tube, and whoosh, off it went, to somewhere else on the train.

The train itself was protected, somehow, from the madness. As much as my day-to-day life tried my sanity through purely conventional means, I couldn’t imagine what it was like for the others further back, those who never saw anything but the inside of the train. At least I had the periscope.

I had been discovered shortly after the coming of the plague, wandering the countryside, unaffected—at least, directly—by the tatters of madness that clung to so many others. They’d sent out one of their groups of soldiers, specially outfitted to survive away from the train for brief periods, and bundled me into this car. And here I was.

They assumed my former resilience to the madness would keep me protected from exposure to what I saw through the periscope. So far, they had been right. If it didn’t, of course—the moment I put a note in the tube written in my own blood, or didn’t send any notes at all—I’m sure the soldiers would unlock the door and shoot me in the end.

Excuse me. I meant to type ‘head,’ but I typed ‘end,’ instead. I’m not sure why. A slip. You’ll forgive the mistake, I hope; I have no way to fix it. Manual typewriter and all.

Anyway, the instant my sanity is broached, either by the unknown force beyond my rattling walls or simply good old fashioned isolation, I would be… dealt with. For the good of everyone. Not just on the train, but everywhere. You see, we may well be the last people unaffected by psychosis in the entire world.

Like I said: so far, I have been unaffected by the madness. But that didn’t mean I was unaffected by what I saw at all. The world beyond the periscope was a true misery. What the mad did—not just to those not infected, but to each other, and to themselves—it wore on you. Like someone constantly rubbing at your mind with steel wool or sandpaper. I was torn between waiting for most of them to die out or kill each other, and desperate for that not to happen, simply because when it did, I would be out of things to watch. There would be nothing through the periscope but countryside, or cities being slowly reclaimed by vegetation.

Anyway: that sums up the train. As for my life—where I was born, what my parents did, what my childhood was like or where I attended university—those things no longer matter; not anymore. I am defined by my role on the train, and the train defines me. I am its eyes; the soldiers, its grasping arms; the scientists, its mind. I assume somewhere on board there’s someone monitoring a radio that would act as its ears, and a conductor controlling a throttle that would be its legs, but I don’t know how much either of them have to do anymore.

None of that, however, is why I chose to start this little chronicle. I was telling the truth above, yes, about how I wanted to leave a record of my contribution, however tiny it might be, just in case we succeed against all odds. But that wasn’t all the truth. There’s another story I want to tell, or, another part of the same story.

It’s about the girl.

05theperiscope1I first saw her during my periscope duty (I’m sorry, that’s probably redundant; of course I saw her during my periscope duty. When else was I going to see her, when I was staring at the blank gunmetal walls of the train car?). We were traveling through a rural area, the countryside, which I preferred. Depending on what you saw, there were days where you could pretend the world hadn’t ended at all. In the cities, you could have no such illusions.

I scanned the horizon; you learned to do that pretty quickly. Try to look at anything close up and it will just fly right on past. There was a bridge, a train trestle, one we would be passing over shortly, and I was using that as my lodestone, sweeping left and right of the arcs of sweeping steel that rose up against the blue sky. It was as I was passing back across the bridge—I had checked one side, nothing of note, so now I needed to check the other—when I saw her.

She was standing on the side of the bridge. Just standing there, a little girl in a purple jumper, no more than six or seven. One hand on the slowly rusting metal. You didn’t see many children on periscope duty. That didn’t mean it didn’t happen; some of the mad went mad in very specific ways, ways which told them to protect a child or to prepare it for something, even if it wasn’t theirs. Even if what they were preparing it for was awful. But this little girl… she was different, somehow. Just standing on the bridge, looking down at the water, holding some kind of dolly or teddy bear in her hand. Kicking loose pebbles from the trestle. Unclaimed. Unchanged. Not ruined by the world.

Then she looked up and she saw me. I mean she saw me. Somehow, through the periscope lenses and the prisms and all the angled mirrors, she saw straight to me. It wasn’t just that she was looking at the approaching train, or even that she happened to notice the periscope—she saw me.

Now, I know how that must sound, I know how it must seem. It must come across as painfully obvious what actually happened: that the solitude of my existence had worn away at my ability to read human expressions, that my desperate need for some sort, any sort, of human contact simply thought she was somehow looking at me, and that I simply saw what I wanted, what I needed to see. You can believe that, if you wish. If you chose to. I doubt that you’ll be able to sustain that belief throughout this entire story, but by all means, try, if you wish.

In the ordinary course of events, you understand, a single little girl would not be enough for me to send an order to stop the train. Yes, she appeared calm, but many of the mad do, until they come into contact with something—or, more likely, someone—that sets them off. The mere fact that she wasn’t covered in blood or scalps or strange tattoos did not mean that she was not mad, and it did not mean that she was not simply bait by a group of cunning marauders, either. Just the girl was not enough for me to stop the train.

I did anyway, of course. Even that early on, she had a hold on me.

Still, I was clever about it. I continued scanning. I felt it, when I moved the periscope off of her, a resistance, like a physical tearing inside of me, but I did it. I found the rusted hulk of a gas station sign. Gas stations were something I was supposed to be looking for; the train was equipped with some sort of machinery, or purifier, or something, that could reinvigorate old automotive fuel, render at least some of it useful to the train. I didn’t understand the process very well—I wasn’t a chemist—but I didn’t need to.

I could tell already that we wouldn’t find anything useful there; the corner of the sign was blackened and charred, clearly in the chaos after the outbreak, it had been destroyed, and in the normal course of events, I would have noted it, noted that charring, and moved on. But it was reason enough to stop the train, and it was close enough that if the little girl wanted to be found, she would.

I pulled away from the periscope, typed out a few quick lines—in a hurry; I mistyped the word ‘station,’ but they would get the idea—and send it through the tube. It was just as we were crossing the bridge that the brakes began to squeal. Perfect timing; with a week to plan, I couldn’t have pulled it off any better.

Then the periscope gave its telltale click, the noise that meant my time was almost up, and it would shortly retract into its housing. In the normal course of events, I usually was ready to be done by the time it did so; two hours scanning the desolation of the outside world was enough for me. Of course, by the time it appeared again, I was more than ready to stop staring at the inside of my car, too.

But this time, I was eager to keep looking, wanted to use every second I had left to try and find the little girl again. Her prior position was too close for me to see, of course—the periscope only had about a 180 range of motion, and where I’d seen her last would have been well outside of it by now—but I kept scanning the houses nearby, hopeful of finding some sign that she was safe, that she at least had somewhere to go. Buckets to catch water, clothes hanging on lines, that sort of thing.

There was nothing. I had to pull myself off of the periscope when it started retracting, fighting the urge to cling to it and continue my search. The periscope folded itself up and rose into the ceiling. I was alone again. I’d been alone the whole time, at least, but for a moment, just a moment, it felt like I had not.

The girl had seen me. She had seen me. I knew she had.

I threw myself onto my bunk, staring up at the ceiling. I’d long ago perfected the technique of sort of… projecting my mind’s eye onto the ceiling above me, making memories and fantasies like a cinema, turning the blank gunmetal gray above me into a sweeping panoramic screen where I could actually see my imagination play out. On that ceiling, and in my head, I watched the little girl, over and over and over again. She was looking down at the water, kicking at pebbles, watching them fall. She turned slightly, her wispy blonde hair drifting with the wind. She looked up, and she saw me. Through the train, through the periscope, down through the mirrors, she saw me. She knew I was there.

Had she smiled? Just a little, just a tug at the corner of her mouth? I thought so. No. I knew so.

Whether she had or not, by the time dinner had arrived, she most definitely had. At least in the movie screen of my mind.

I slept that night, and dreamed of the trestle bridge. Not of the little girl, despite how I had obsessed over her the entire rest of the day. She was not a player in the repertory theater of my subconscious. Not yet. But I dreamt of the bridge, and of the blue sky, and the green forests. I dreamt of walking out there. Just…. Walking. And being unafraid.

Even in my mind’s eye now, I can see that bridge. The way it rose up from the water; the green on either bank of the river; the blue and white of the sky stretching infinite above, dotted here and there with clouds. The shade of dull red rust that had at least partway covered it, and the metal sheen where it was uncorroded. If I listen hard enough, I could hear the cables singing.


I awoke the next day, and it took me a moment to shake off the dreams. This was often true: when I remembered my dreams, even when they were unpleasant, they became reality, at least for a while, and the train car confused me upon waking. That is, when I didn’t dream about the train car itself. I hated those dreams the most. Even more than more traditional nightmares of fear or phantoms or flight, because then, even my one respite from my penitent’s cell of a prison was taken from me.

I remembered the girl, and came wide awake. I scrambled over to the message tubes, to see if I had received any sort of response from the prior day’s activity. I had not. That in and of itself didn’t mean anything. Even after what I was sure had been successful stops predicated on my information, I often did not receive confirmation of what the soldiers had managed to salvage. Even if the little girl was safely aboard, I would not likely be told. All I could do was tell myself that I had done what best I could for her. I had done my duty, both to the train, and to my own humanity.

By the time breakfast was served through the slot in my locked door, I had convinced myself that it was over, that my little piece of excitement was done. I should be glad, I told myself she had been the most interesting thing I’d seen in months.

Still, as I waited for my duty to begin at the periscope, I wondered about the girl’s fate.

One thing I should clarify before this story continues: I hope that you don’t take my sudden interest in this lone girl as something sexual. For one thing, she was a child, for God’s sake. The world may have gone mad, but I had not. For another, before the world crumbled, my attentions in that direction were confined exclusively towards other men. For as long as I could remember, neither women nor girls had ever created even the slightest flutter in my pulse in that manner.

For a third, and to put the final nail in the coffin of that rather disgusting line of thought, the time I’d spent on the train had caused my sex drive to atrophy. You might think the opposite would be true, that forced celibacy with cause me to be blind with lust, and maybe that would have been the case for someone else, but apparently not me. I no longer felt such urges. Would they have returned, if I had found myself embraced by the company of humankind again? Possibly, possibly not. I simply wanted to make sure that was understood before we go any further: whilst my interest in the child, my need to know that she was safe, might have been unhealthy, might have even been an obsession, it was not an obsession in that manner.

When the periscope finally descended, I practically leapt at it. I forced myself to calm my racing pulse, my hands holding the rubber grips so tight the knuckles were white. You saw one living child yesterday, I told myself. That’s something you haven’t seen for months. You won’t see anything like it again for just as long, if ever. So look, but don’t expect, and above all, remember your duty. You are part of this train, part of its mission.

I told myself all that, and I believed it. I really did. Still, I trembled as I looked through the lenses, and scanned the horizon.

Something I likely should have mentioned earlier, for which I can only apologize: for whatever reason, out of some statistical probability or even a desire to safeguard our sanity through variation, the periscope never lowered at exactly the same time of day twice in a row. It lowered once in a twenty-four hour period for roughly two hours. But it wasn’t as though I was always scanning the horizon at noon, or always at daybreak. When we scanned at night, it even had a night vision filter, blurring everything into a kind of green fog. My shifts at the lenses were not exactly twenty-four hours apart, but sometimes eighteen, or sometimes thirty.

It wasn’t quite night when my shift began, but it was getting close, the horizon painting the world outside in hues of umber and orange. The rural landscape of yesterday was slowly transitioning into something at least slightly more urban—not exactly a city center or anything of the like, but more homes, more streets, more businesses. By which I mean, what had been homes, what had been streets, what had been businesses. Now, they were all mostly ruined.

Nothing notable appeared as I scanned the horizon while the day slipped slowly into night. A few buildings that came close to being worth a stop, but not quite. Something always just a little off, a little wrong—telltale signs of traps left by marauders, main exits left clear but side doors blockaded, a brief flicker of motion that might have been something dangerous, or might not have. It wasn’t worth the risk. I still had about an hour left in my shift when the night-vision clicked on, bathing what had been a cityscape dimming to gray into crisp green dimensions.

That very instant I saw her again.

I hadn’t even been scanning. I’d stopped moving the periscope when the night vision cut on, to let my eyes adjust to that verdant glow, so different than what I had been looking at. But as soon as they had, I saw her: she was standing on the roof of a squat, one-story concrete garage, one I’d seen in my periphery before I’d looked away, and she was staring at me. Again. Still.

Like she’d never stopped.

I ceased breathing. Not consciously, I mean; it just happened. For no reason I could understand, I was utterly terrified in that instant. Terrified she was some kind of demon, a manifestation of all the ills of the world come to haunt me. The night vision gave her eyes an unhealthy glow, like cats’ eyes in the dark. Terrified my mind had finally snapped, that she was a hallucination, I might have been immune to the plague of madness, but ordinary people had been going mad under far less duress for thousands of years. Terrified by something unknowable, unreachable, in the depth of her gaze. Just terrified.

I told myself it couldn’t be the same girl. It couldn’t. For one thing, I had no way of telling the colors of her clothing, or her hair; the night vision washed everything to the same neon green. For another, we had only stopped once since I had sent my note the day before, likely on the orders of a different periscope car. The train moved slowly, carefully, but it did move. We’d traveled two hundred miles, at least, since that trestle bridge yesterday. It couldn’t be her.

But it was. I knew it was. The way she looked at me. It was exactly the same.

I backed away from the telescope. Rubbed my eyes. Went to the tiny metal sink in my room and splashed water on my face. I was seeing things. I was hallucinating. Of course I was. The isolation, the monotony, the lack of intellectual stimulation—my mind was bored, playing tricks like a small child will in an empty house. Projecting the image of the girl from yesterday onto the back of my retina—the same thing I did when I couldn’t sleep at night, and ‘saw’ movies of my memories on the ceiling above me.

But I did that consciously. I hadn’t done this. I hadn’t even been thinking about the girl. I swear, I truly hadn’t. I had, the first few minutes I had been scanning the landscape, but slowly she’d faded as I focused on my duty. I had not been expecting to see her, I swear.

Yet I had.

Slowly, trembling, I returned to the periscope. I pressed my face into the profile, willing my eyes to only see reality, to only see what was there, and she was not there.

I was right. She was gone. Or, rather—she had never been there. It was simply my overworked, overactive imagination. That was it. That was all.

I went to sleep that night trembling, still. I saw nothing else of note during my duty.


I saw her again the next day. Of course I did.

Every time I saw her, she only grew more impossible. The first two sightings could have been a coincidence, my fogged mind stuttering if not breaking down, but the third meant something was happening. Either within my head, or outside of the train. This time it was daylight again, and we were closer to a city proper—what city, I knew not.

She stood halfway up a radio mast. There was no way she could have climbed so high. Even during the halcyon days before the plague, it took men with specialized training and equipment to summon those towering spikes of metal. She was just a child, and she wore no rope, no harness. She was simply standing, high up on the swaying, rusting steel. Staring at me through the prisms. Almost smiling.

I had been looking for her, of course. Ordinarily I never would have glanced at one of the dead reminders of our past world; there would be nothing of note up so high, and even if there was, the soldiers on the train could never have reached it. But I was looking. It was like poking at a bruise, or probing a loose tooth with your tongue—we value new sensation, even if the sensation is painful.

I alternately cursed and congratulated myself for finding her again. I knew it was likely my mind was fraying. At that point, I was exhausted with the terror of it all. If my mind wanted to break, I could at least find the breakage interesting, in an abstract, ‘if this was happening to someone else’ kind of way. It kept me from thinking too hard about what I was seeing.

I made it a kind of game. Every day, when the periscope lowered, I would begin my search for her. I no longer cared if I found buildings of note, or resources, or survivors seemingly undamaged by the rampant madness of the ruined world. Even if there had been a merry band of the sane, camped out on the train’s very tracks, I would not have noticed. I was consumed with chasing my phantom, the little girl in the purple jumper, who appeared impossible places. Who saw me.

By the sixth day—the sixth day in a row I had seen her—I had a moment of clarity. Not when I was at the periscope, but after. I was failing to do my duty. I was failing my responsibility. I was clearly going mad. I typed a note, fully intending to send it to my superiors:


For the past week, I have seen the same girl, staring back at me down through the periscope. I know she is a hallucination. I retain enough sanity for that. You can no longer trust any reports that come from this car. Whatever mechanisms you have in place to deal with this sort of… affliction, or dereliction, or whatever you chose to call it, you must engage them. I no longer have value.


I remember writing all that, and I remember fitting it carefully into the tube, and I remember setting the tube in the pneumatic device. I remember pulling the lever, and feeling relieved that it was done. One way or another, this would soon be over.

It was that day’s sighting that had finally broken me. Or, I should say, sightings. I had seen her not merely once, but three times, in three separate locations. Locations she could not possibly have reached in the time between when I lost sight of her behind the 180 degree arc of the periscope’s view, and when I picked her up again. I don’t know why that was the final straw—it’s not as though that was any less impossible than any of the rest of it—but was, all the same. I was mad, and I knew it. I set it all down, in writing, and I sealed my fate. All I had to do was see how the train reacted.

In the morning, when I woke—yes, by this time I was dreaming of the little girl, almost exclusively—I found the note crumpled up in the corner. The note I knew I had put in the casing, the casing I had put in the tube, the tube that had rattled as the casing and the note were carried to the back of the train. But the note was not gone; it was here. Still here. My terror returned, then, the game crumbling away.

I did not try to send the note again.05theperiscope2

More days passed, and each day, I saw her more and more—once, twice, three times, five, during my two hours on the periscope. Even though true fear gripped me now, I tracked her each time until I lost her from view. It was a compulsion. Then, as soon as she was gone, I would sweep the horizon for her again, driven by my own need to plumb the depths of my sanity. Or lack thereof.

She appeared in more and more impossible places. Sitting on the shoulders of a statue. Staring at me from a bombed-out floor of a building. Standing on the tracks themselves, the tracks that stretched forever out before me, but never growing closer. Once, I saw her eight times in a row. Her appearance never changed. Well, that’s not entirely true—her hair was always the same, her face, her clothing, but what she held in her hand was sometimes different, if I could see it at all. Sometimes a dolly. Sometimes a teddy. A few times a metal lunchbox, the sort I wasn’t sure children had even used anymore even before the world went to hell, dragging me with it. Once, a heavy wrench, its end bent, like she, or someone, had used it to bash something hard, over and over and over again.

But every time, the expression, her expression, was the same. She would look up from whatever she was doing, wherever she was, like she heard the train; she would stare instead at me. Through me. And she would begin to smile. She never seemed to quite finish that smile. It didn’t matter how long I looked. It would start, but never finish.

Except each time it came closer.

I barely slept anymore. I treated my meals, the needs of my person, with a bare, slapdash kind of care, doing the absolute minimum to keep myself alive. All I did was wait for the periscope to descend so I could hunt her again; my angel, my devil. My ghost. My Beatrice, my Lenore, my Belle. Except Belle wasn’t the key to Scrooge; that was what I had forgotten, not just her name. It was his sister; his little Fan. Dead too soon. I knew that’s where she was leading me. I didn’t care. I followed.

It occurred to me later, when I wasn’t looking, that she was growing closer. When it first started, beginning with the trestle bridge, I had always seen her just at the edge of the horizon. Now, each time I saw her, I picked her up closer to the train.

She was coming for a visit.

This went on. I do not know for how long. The train kept moving. I kept to the periscope, but I never sent notes down the tubes anymore. I did not know how long those in charge would let me last, let me remain, keep feeding me, when I was no longer of use. Their canary in the coal mine; all I could do for them now was die.

Finally, I received a message. It hissed down the tube, making the metal rattle as it came. I cracked it open with trembling hands. It read:


Your messages of late have grown more and more erratic. We no longer have faith in your ability to operate your station. You will be rectified.


That was it.

I had sent no messages.

The one I had typed, the one I believed I had sent, but later found balled up in the corner—it was still there. Do you understand? I had sent no messages.

Except I had. Apparently, according to them, the faceless ‘them’ further back in the train, those that controlled my life and the lives of all the others on board, I had. And they had been erratic. That was a word. That was one word.

I waited for them to come. I assumed my time with the periscope was over; I mourned its loss in my life, in the life I had built for myself, here in this tiny rattling cabin, forever in motion, forever the same.

The next day, however, it dropped from its housing.

It has since retracted. I have used the time between that last viewing of the outside world and now to write this… whatever this is. This chronicle. This missive. This story; my story. I meant what I said above, that I wanted to leave a record of what I did, how I helped, in case the others do manage to find somewhere safe, to begin again. But I also wanted you to know about her.

Maybe I am insane. Maybe it is that simple: maybe this is just a cautionary tale of isolation and dementia and creeping delusion. But maybe not. Because that last view through the periscope, something changed:

She finished her smile.

What lay behind her lips… they were not teeth. I do not know what they were. She is not human. She never was. She spoke, but I could not read her lips. I was quaking with fear. I understood the intent, though. She is coming for me.

I spoke before about the rise of the madness, the time of the plagues. I said I did not know why it had come, nor from where. I was lying. Or rather, I was dissembling, pretending I was the man before my apparition began approaching. Now I know. The root of this evil was never with us. It was with her. With her all along. She is the plague. She is the madness. Mine and all the others. We are the vine and the canopy and the leaf; she is the root.

Now, one of two things will happen. The first: the soldiers will enter, and either shoot me in the head, or drag me from the train and throw me outside—that is one option, with two endings. The second option is much simpler, and the one I fear much, much more: she will come for me. She will be here. When I lay my head upon my cot, when my eyes begin to drift closed from exhaustion—for I have not slept for days now—she will appear. Because she always comes when I am not looking. She will appear, and she will reach out for me.

I pray the soldiers reach me before she does.

I told you this chronicle was a memory of who I was, what I did. Let it also be a warning. To the next person who takes up my position in this car, or the person with a similar job in whatever new settlement the train eventually founds: if you see a girl on the horizon, unprotected, an impossible girl, with long blonde hair and a purple jumper—or anything, really. Maybe she changes. Maybe she becomes what you need her to be, at least at first—look away. Do not try and save her. Do not mount a rescue. She does not need rescue. She never has.

Do not look.

Whatever you do, do not look.


Drew Williams spent too much of his childhood reading pulp adventure stories and genre fiction; as a result, he thinks the world is much more interesting than it probably is. When he’s not writing speculative fiction, he works at an independent bookseller, trying to sell speculative fiction to people who might otherwise not have given it a shot.

Images by Amber Clark of Stopped Motion Photography.

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